The result is a colorful, expansive zone to explore, with its own unique aesthetics and challenges, as well as a powerful and ancient connection to the Breton people. “We went with a lot of broad-leaf flora for this area, concentrating on lush ferns and overgrown ivy and moss as much as could be afforded.”ĭiscover the medieval society of the Bretons “We were also tasked with creating an abundant, overgrown biome for the prison Island of Amenos, and with that work came figuring out the mysterious local druids and their ancient ties to the entire archipelago,” says Grebb. From there, they folded in the nautical history of the island while focusing it through the lens of Breton culture, with their unique castle architecture and stonework. “With this in mind, we took inspiration from the beautiful sands and rolling hills of the Mediterranean coast.””Įxplore a beautiful-but-dangerous new worldĮroded sandstone, bleached cliff faces, and stunning turquoise water accents became the starting point for the art team. “We always strive to make sure each new chapter has a signature look, and with High Isle, that became a little easier when we were told that the Systres is sort of the resort island for the upper crust of Breton society,” explains Grebb. For ESO’s art director CJ Grebb and his team, this all-new location was an opportunity to create something unique. To fully dive into and explore Breton culture, the team decided to develop a fresh setting for this year’s adventures: the Systres Archipelago including the islands of High Isle and Amenos. “In addition to the unique biome and aesthetics, this island chain has never been explored before in any Elder Scrolls game, so having the opportunity to add to the rich lore of Elder Scrolls and explore a completely new location is really exciting!”
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